Young artists, plus a collection of indicators of young and newly formed Gal-leries and love art as a cultural phenomenon, sweep-ing Chelsea art district, as a thirty-something enthusiasts flock to art galleries. Is the art world spawned a new generation of young, hip, savvy art afición-DOS, which are destined to become tomorrow's well-informed art col-lectors?
Chelsea art community boasting a new engagement with the thirty-something crowd. The fabric of his friends on the latest opening of the exhibition is simple. With the new emerging artists and galleries to experiment with different concepts and ideas, the diversity of Chelsea is now CA-tered to this new audience and market giv-ing a new energy and vitality of the arts center for creativity.
Melissa Sarti, 32-year-old student from Hunter College stands on the corner of West 25th and 10 Ave. message to a friend about the exhibition this Thursday evening. "Hey Carl, meet me at 6:30 at White Box," she wrote. "There is tremendous installation I want to see some friends I want you to meet ."
, where a Chelsea corner stands seems to be remote from a taxi stand, gas station and a crumbling warehouse under the old, elevated railroad lines. But she stands on the brink of Chel-sea art world, the largest museum of contemporary art as a space in svijetu.Pločnik host of cities as she walks to the gallery spaces. She runs a large gallery windows, and close to get a better insight into the huge space inside the old Brick Factory. Melissa peers through the window. She sees them, clutching glasses of champagne and wines, as well as a number of young guests in the market-Pro on a new contemporary art.
from Manhattan to Queens, young trendsetters out in droves, not just for wine. Last month, the re-ception at Agora Gallery Mary Ellen Henry Anderson and Daniel often gallery. "I like to know what is happening in the galleries of the neighbor-hood. It's kind of like a business and pleasure," replied Christina Freeman, a photographer, when asked why he made a point to get to the reception. "We are artists by nature;. Some of us are designers, so we have an interest in art we can truly appreciate ".
Erin Walker and Bren often Galler's on a regular basis, so what keeps them coming back? "This is a good opportunity for us to catch up with each other, and seek inspiration." However, Chelsea galleries are not just for those who wish to improve their knowledge of up-and-Com-ing design trends in contemporary art world. "I love being able to go out on weekends, and be able to go from gallery to gallery to gallery. Make afternoon and go to brunch. Get a group of friends together to do something more interesting and define their taste in art," offered Jennifer Grace, publishing assistant from Wired Magazine.
the new band Gallerists
Sheri Pasquarella, a young art consultant and private dealer, filed on 27 Street space that once held the Tunnel nightclub to 2001. Several young art gallerists moved their operations from other parts of the old series of load port on the southern side of the tunnel of the former site. Wanting to create an instant destin-tion site, Pasquarella led the exodus of an emerging artist-dealer promised land barren street-level space between the eleventh and twelfth avenue. Oliver Kamm Gallery, Foxy Production, Derek Eller Gallery, Clementine Gallery, John Connelly, Pres-ents and Wallspace now located here. This is summed up in one of the most common efforts to expand-ing Chelsea gallery scene, because the art world began to leave the West Side to SoHo in the mid 1990s.
New Art Network
Social networks for thirty-somethings in the art is usponu.Mladi As-sociates is one of the new social group of art began at the Chelsea Art Museum Museum prostor.Chelsea program looks to connect young people with New York emerging art community, creating energy-IC present in the growth of museums and a network of innovative thinkers in umjetnosti.Skupina targets recent graduates and young professionals who would like to learn more about art in an intimate atmosphere that can be pro-divided into smaller museum. They have to interact with museum curators, meet artists from New York and create a forum within the Chelsea Art Museum for networking with other young people on the ground. They organize special after party after the show opened, cura-Tor led art tours, gallery tours, talks with the owners gallery, artist studio visits, Invita-tional discussion of trends in contemporary art, checks started, and holiday parties.
Innovative Investors
Get your own auction vesla.Nova generation of collectors, hedge-fund managers, entrepreneurs and other technology in their thirties, were plunged into the world of contemporary art. During recent years, as well as global economies weaken, prices in the closely watched top 2% of the contemporary art market were up 72%, according to London-based Art Mar-KET research. By contrast, prices of top-tier work of old masters and French Im-pressionist markets fell by 40% and 29%. Christopher Apgar, a young financial advisor, has works ranging from Jean-Michel Basquiat, graffiti artist who has become a phenomenon of the eighties, the silkscreen of Marilyn Monroe by Andy Warhol. His current hunt for artistic creativity Gregory Crewdson, photog-rapher whose work includes a promotional photo for the HBO series "Six Feet Under" and Vic Muniz, known for making sculp-prosthesis in characters from the chocolate, and then photographing pieces.
Most young people and new collectors have little interest in old masters who capt-house of the previous generation. Part of the reason for the reluctance Astronomy-term rates are orders. Contemporary works are cheaper and are more likely to double the value in the short term-OD. Even today, young collectors do not need to spend millions of dollars to Van Gogh to earn the respect of colleagues. They show that they are in contact with the modern-temporary art world by buying new works by contemporary artists, who appear in the gallery of the social scene.
While new collectors can be ap-proaching art market as the marketing venture capital investments, there is no guarantee that payments will be uzvišeni.Tržište art can be promjenjiva.Prikupljanje quirks and interests of contemporary art lovers drive market. If several collectors love the ocean scene, prices are rising, and less-developed desert imagery major low. Fluctuations can vary depending on the collector inputs and outputs in various art market vremenima.Rezultat the artist can be "hot" for a few years when prices rise and plateau, the second generation takes over the collection of artists vrijedi.Art industry is looking for young people to buy for eprsonal pleasure, not just a quick profit.Stil life today of a new collector is not about ball gowns and expensive jewelry. It's all about walking around your house in sweat pants conversation with a friend on a cell phone on the-time art plastered on the walls to look at and appreciate. This is a pro-ERS, blackberry's, iPods and iBooks. Most of all, it is an SMS to their friends for the next gathering at Chelsea art gallery opens on Thursday evening.
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